Top Ten Bass Riffs

While I tend to stick to six strings, treating basses as a inferior cousin to the awesomeness of electric guitars, on occasion I've been known to divulge in a little bit of "slappin' the bass" (not dropping it, I'm no Skrillex!) from time to time. Actually last year was my first time playing bass, and given that I had to play it in both a crowded bar and on the Regent Stage, I was a little bit nervous about doing so! But I found I actually really enjoyed it, even though I was playing one of the simplest bass lines out. Thanks R.E.M! I also gained a bit more appreciation for this four-stringed (or in the case of one of the guys in my music course, six stringed) instrument. So while I do make the occasional bass player joke (I'm a guitarist, I can't really help it!), I've learned that playing bass is actually cool, and a little more tricky than I had thought. It is with this in mind that I present to you the top ten baddest bass lines of all time. Or at least in my opinion....

10. "Cover Up" -  Imagine Dragons

Imagine Dragons wouldn't really be known as complete musical geniuses, as they tend to stick to basic 4/4 playing and major keys. However they have a tendency to write some of the most darn-catchy and original pop music out there, which helped catapult them from being underground musicians to being near-famous almost overnight. After hearing a phenomenal live version of "It's Time" on Youtube, I was hooked, and they quickly became one of my favourite bands. This song is one of their lesser-known songs, which is unfortunate because it's actually really good! After a extended intro, the song finally kicks in driven by a bass line that is so groovy it almost belies it's simplicity. Yes I've counted and I'm pretty sure it's only like three notes, but still. Sometimes the simplest things are the best! And the rest of the song has some pretty killer bass playing in too, especially that bridge. Good job Ben McKee, but for the simplicity you're at the bottom of this list...
7/10

9. "September" - Earth, Wind & Fire

Funk bass-playing is IMPRESSIVE and this song would have to be one of my favorites in the genre. While the horns, keys and vocals in "September" are impressive enough, the entire song seems to build off that sick bass line. It just grooves away beneath it all, just adding that extra funky touch which Earth, Wind & Fire need. This was one of my favorite songs to play last year, cos when we got it right it just grooved so much! Also it's written in one of the most interesting keys I've ever played in (basically filled with 7ths and 9th chords). This is one of those few songs where I would rather play bass than guitar cos it's SO MUCH cooler!
 8/10

8. "Time Is Running Out"/ "Madness" - Muse

Muse's bass player Chris Wolstenholme is pretty impressive - but then I suppose you'd have to be if you're in a band with Matt Bellamy constantly outplaying everyone with his mad guitar and vocal skills. The bass intro in "Time Is Running Out" grooves out solo before the drums and singing kicks in and really sets up the whole song. When I was learning this song a few years ago, I quickly realized I wouldn't get far if I didn't learn that bass riff. Yeah, that's right. I learnt a bassline on the guitar! Who says basses don't rock now???!!
The sole reason Madness is on this list is because that MIDI bass Wolstenholme plays on it is SO COOL. It just throbs away throughout the song, creating an almost dubstep-like effect which is strangely appealing. Go look up the music video/ live version of this song if you don't believe me!
8/10

7. "Ny Batteri" - Sigur Ros

Kings of Icelandic ambient/post rock music, Sigur Ros somehow managed to create one of the most beautiful songs ever with this track off their album Agaetis Byrjun. This song draws you right in with it's haunting vocals, mellow trumpet and some wicked guitar playing which the lead singer does with a violin bow (because picks are to mainstream). It's one of those songs which when you're listening to it you can't really do anything else but just listen because it's that epic. However while all the instrumentation in this song is impressive, it is driven by one of the most awesome ambient bass lines I've ever heard. From the moment it kicks in after a haunting trumpet introduction, you just get the maddest shivers down your spine and you know that the rest of the song is going to be the best eight minutes you've ever spent listening to music.
9/10

6. "Black Dog" - Led Zeppelin

I knew that if I don't put at least one John Paul-Jones riff on here then I'm bound to get slaughtered by a host of bloggers posting angry comments like "WHERE IS JOHN PAUL-JONES ON THIS LIST??!!!" or "Nice post bro but you forgot John Paul Jones". But in saying that, he is considered one of rocks most talented bass players for a reason. This song is chosen out of all of Zep's greatest bass lines because Mr Paul-Jones is the man responsible for writing the riff. And that riff is KILLER. It's also a little more technical than Sigur Ros, which puts it further up the list, despite the lower overall rating.
8.5/10

5. "This Is Your Life" - Switchfoot

One of Switchfoot's biggest hits, and one of the most recognizable riffs in Christian rock. Is it played on a guitar? Nope, surprisingly the memorable intro/verse riff is played on a bass which actually makes it so much cooler. When they played this one at Parachute earlier this year, Tim Foreman stood up the front and kicked the whole song off with his grooving catchy bassline. He is the man for creating something so legendary and then having the guts to play it on a bass! Without the bassline, this song would be a lot less awesome.
9/10

4. "Gangam Style" - PSY 

I get the feeling I'm going to get some hate for putting this one on the list. After the video featuring some groovy dancing went viral on the internet (1 billion views and counting is a little over the top guys) and it was thrashed to death in every single club in the country, everyone must be sick of this song by now.  But in saying that, it is actually a pretty darn good pop song. And for a pop song, it has some surprisingly tricky bass lines which set up the groove for the song and make it so darn catchy and dance-able. Whoever played bass for this track really got funky with it. Don't believe me? Check out this video of a bass cover of the mega-hit K-pop song and see if your mind doesn't get changed....
https://www.youtube.com/watch?v=V6EmxuAOD1s
9/10

3.  "Vicarious" - Tool

I flipping LOVE this song! It was one of the hardest things I've ever had to learn on guitar as all the riffs are in 5/4 or 6/8 timing and it switches all the time which makes things confusing. Even now, there's still parts which I can't quite master (the riffing at the end of the song is so fast it's practically impossible!). Yet every time we played this song last year, I was equally impressed by the bass parts as much as the guitar lines. The way the bass clashes with the guitar in the opening, playing something completely different instead of just the root notes is just pure genius. Tool's Justin Chancellor playing is on fire in this one.
9.5/10

2. "Instrumedley/ The Dance of Instruments" - Dream Theater

When you're in a band with John Petrucci and Mike Portnoy, respectively amongst the fastest and best guitarists and drummers in the world, you've got to be be a whole lot better than good. Yet somehow all the members of progressive rock band Dream Theater are so talented its mind blowing. It is one of life's most unfair moments that a band of this musical pedigree is a lot less famous than pop stars who are SO musically inferior such as Lady Gaga or Bieber. The bass player for Dream Theater, John Myung, has been rated the greatest bass player of all time by Music Radar, which is no mean feat itself. This song shows how far Dream Theater's musical complexity goes, constantly switching between time signatures and different feels. And it has some killer, killer bass playing in where Myung pretty much puts every other bass player to shame. It's pretty long, like most Dream Theater songs, but definitely worth a listen.
https://www.youtube.com/watch?v=tM0Y1Ajqq7g
10/10

1. "My Generation" - The Who

Not going to lie, it feels a little bit strange featuring the work of a blues-based rock band from the British Invasion after the musical complexities of Tool and Dream Theater. But I knew from the start of the list that this was going to be my number 1. John Entwistle is considered to be one of the world's greatest bass players, and he showed this in his stellar work with The Who as well as his solo music. He was a pioneer of several influential bass techniques such as a unique fingering technique he called the "typewriter" approach to playing bass, and was voted "Bass Player of the Millenium" in guitar magazine. Still, this song tops the list on the strength of its pounding bass lines, and the sheer fact that it features an incredible bass solo. In the sixties, a bass solo??!!! Beat that, bass players.
10/10

Got a song you think should be on this list? Did I miss out one of the bass playing greats? Do you think you can play bass better than some of the people on this list? Or do you agree with me 100%? Leave a comment and let me know what you think!

Qualified!

It's official now!

I actually have a Certificate qualification to my name, proof of my completed studies in music.

This is a good day....

Not going to lie, I'm pretty stoked with my achievement. Even though it was only a year, it was a year filled with blood, sweat and tears. Nights where I'd lock myself in my room, and practice and practice my chops. Day after day where I'd cart my not-so-light guitar down the road for the twenty-odd minutes it took to walk to UCOL. Hours spent trawling Youtube and the internet, listening to music that I'd never heard before and googling random facts about bands.

That was the year where I discovered the heaviness of As I Lay Dying, Animals As Leaders and Depths. Where I listened to reggae for the first time and found magic hidden in the simplistic chords and chilled-out beats of The Black Seeds and Bob Marley. The year where my ears, and my fingers finally adjusted to blues and the incredible solos of greats such as BB King, Eric Clapton and Stevie Ray Vaughn. More importantly, it was when I discovered the power and depth to ambient indie music such as Sigur Ros, Bon Iver and (to some extent) Radiohead - all 3 of which would go on to becoming some of my favorite bands.

All of these in their own ways went to helping me really develop in songwriting in huge steps and bounds. From the backwards structure of my rock & roll riff we based our 50's style "Take My Baby Home" to the bluesy twang of a slide which I utilized for my "slow solo" in "Lonely Baby Blues".  Then there was the backbeat strum and entire bridge section I added to our punk rock kiwi original "Running To The Sun" (probably one of my favourite songs to write/play EVER), as well as the little instrumental flourishes I added to give depth and texture to "The Hospital" and "Nothing Stays The Same". Finally there was two of my proudest moments with "We Are Still One" and "Prodigal". Despite never having written (or played for that matter!) reggae or country I somehow managed to write full songs in both genres which actually played off pretty well. In terms of music and songwriting, it was a year well spent.

But perhaps almost equally in terms with musical achievement was the fact that it was one of the best years of my life. I was hanging out with a bunch of super cool people, doing what I loved best (playing music, duh!) and just generally having a good time! It really was awesome in hindsight being surrounded by people who were equally as passionate about music as me - we all got on really well (most of the time) and had quite a few laughs along the way. I made a couple of really, really good friends from my time there, and it was super awesome to catch up & graduate with a few of them today.

In a weird kind of way, I guess I slightly miss it. Playing music every second or third week was actually AWESOME! Not only did I get more comfortable with playing & performing, found out I could branch out a bit more (first year playing anything other than a guitar!), and made a lot of musical friends/contacts but I realised something really important. That this is what I loved doing more than anything in the world. And that no matter the circumstances, it is really important to follow your dreams and do what you love - not what you're good at, not what others tell you to do, not what seems the safest option. No - DO what you LOVE! Even if it's something as obscure and hard to succeed in as music! JUST DO IT! You'll find it drives you in a way that few other things can.

And I think one of the saddest things in the world is when people never get to do this. Some people never get the opportunity - and that's heartbreaking enough. Yet even worse is when you have the chance, but never take it. Or by the time you decide to it's almost too late and you're left wishing you'd gone for it years ago.

So on the eve of my graduation, I offer you this advice. I'm no world-weary musician - in many ways, I still feel like I'm beginning. I don't know it all, but I've been a few places and seen a few things, so don't completely disregard what I say just cos of my upbringing, beliefs, age or writing. This is legit good advice which I believe if applied can change your life in ways you won't believe.

Quite simply put, it falls into that cliched statement: Follow your dreams. Even if they're big. Even if people laugh at you for having them. Even if secretly you think you suck. I've been there, I've felt all these things. But screw what people tell you. If you have a dream, it's worth chasing, it's worth fighting for. And don't ever forget it!!





One (now qualified!) musician, out.

Jords

Beautiful Music...

Sigur Rós - Valtari
Genre: Post-rock/ Indie/ Ambient
Rating: 5/5


I feel kind of uneasy about starting off this review with a 5/5 review. After all, from what I know of reviews, that's the one thing you rarely ever see. Unless the artist in question has somehow created such a brilliant collection of music that the reviewer really, really enjoys.
Enter Sigur Rós.


Now I must point out that this Icelandic band is probably not going to be everyone's cup of tea. For instance, my brother, who mostly listens to metal these days, probably wouldn't be that into these guys. But for anyone who can just sit back and listen with an open mind and appreciate the beauty of music; then I can almost guarantee Sigur Rós is going to blow your mind. 


As I sit and type, a little niggle in the back of my mind forces me to admit this is not the easiest of reviews to type. This is in part because this Icelandic band barely ever sings in the English language (or any discernible language for that matter). As there is a lack of understandable lyrics or even recognizable phrases, this album seems to lean more to being more of an immense, incredible soundtrack than a collection of short pieces of music. The other reason is because every song on this album is really long. The shortest track is just over five minutes, which in itself is a full minute over the length most pop songs. At first this confused me, because with only 8 'songs' I thought I was buying an EP or something. Thankfully not. Or at least, if anyone has the guts to call this an EP, it'll be the longest running one I'll have ever seen! 


Yet while this change from the standard format of most albums these days might throw some people off, I found it one of the best things about this album. Both as individual pieces, and together as a whole, the songs off Valtari are absolutely incredible pieces of music. 
The lack of discernable words, while somewhat disconcerting, also helps the listener relax and enjoy the music without focusing too much on what the words mean. And the music itself speaks volumes - as the band have created the most epic sonic landscape I've heard since listening to Pink Floyd. Like any good band, Sigur Ros exploit spaces in music to the full advantage.The first track on the album, Ég anda starts with a haunting violin and vocal and the music builds slowly until the singing finally starts at about 3.20 into the song. And that is great example of how the rest of the album flows, with the music and vocals are both very predominant, yet never overpowering
Although it's still early days yet, a few songs stand out. 'Dauðalogn' is also another great piece of music, starting off with the sounds of falling rain, and merging seamlessly into a lush, ethereal song which could almost put you to sleep. The title track 'Valtari' starts of sounding like an entire symphony mixed with a bunch of clicking noises which is then mixed with piano and drums to create an amazing instrumental. And then there is the final track 'Fjogur Piano', which could quite possibly be my favourite in the album if the rest of it wasn't so stunning. This song starts off played on one piano very slowly, and then another one is added a few bars ahead or behind of the first - I can't really tell. Either way it sounds incredible as it is both clashing with and contrasting with the first and it creates the most beautiful texture. Makes me want to learn piano even more, even if just to be able to play that one song. And when the violins come in, it almost makes you cry with how beautiful it all is. 

This album never ceases to amaze me with its incredible contrasts. It is both extremely heady, and yet very relaxing. The music is filled with emotion, yet it is easily something you can just listen too without having to take to pieces. The singing is both confusing in that it lacks a discernible language and hauntingly beautiful simply because of that fact. 

In a world full of musicians repeating the same tried-and-trued approach to music, it is refreshing and inspiring to come across a band this original and complex in it's ideas. And it is with that thought in mind that I come to the conclusion that I can never write a good enough review of this cd. Instead, all I ask is that you wait till sometime late at night, plug in some decent headphones, and listen to at least three tracks from this album in a row. The only real way to review Valtari is to have it playing in your ears.

And then leave a comment for me about what you think about Sigur Ros. Do you like what they're doing? How does their music make you feel? Is it your cup of tea?

Because personally, I'm already a huge fan.

Blessings,

Jordan

Late Nights and Early Parades...

I love doing this....
Just staying up late at night and listening to music.
It's almost strangely peaceful.
And after the busyness of the day, I just get to sit here and type.
And listen.
And type some more.
Music is just amazing how it can transport you to other places, and other lands. Ever since I was small, I've loved the feeling of travelling outside of yourself.
Now I know that sounds like some hippy statement, like I've been taking the wrong pills or something, but trust me, it's not really (and I haven't [and hopefully never will] been taking drugs!).
Travelling outside of yourself is just like going somewhere where you can't go. Basically it's just a fancy way of saying you let your imagination wander. And let it take you where it will...
I used to do it with books. Some people do it with art - there was a painting I saw today which really impacted on me. Somethings you can stare at for hours, and still find something new in every corner.
But lately, I've been doing it with music.
Specifically, the ethereal, haunting, sounds of an Icelandic band called Sigur Ros.
They are absolutely incredible...words can't really describe how beautiful their music is! However,I will give it a try eventually. 


Expect an album review in the next couple of days!! 


Until then, I will drift away to some more music before going to bed.
Goodnight world,


Jordan